This beautiful atlas fused artistic beauty and scientific precision. Bode, director of the Observatory of the Berlin Academy of Sciences, produced the last of the four major celestial atlases in which artful depictions of constellation figures appear alongside the most up-to-date scientific data. (The other three are the atlases of Bayer, Hevelius and Flamsteed.)
In Bode’s Uranographia, 20 large copperplate engravings plot more than 17,000 stars, far more than any previous atlas. Bode included new stars for the southern hemisphere, along with constellations recently invented by Hevelius and Lacaille.
Bode depicted more than 100 constellations, compared with 88 officially recognized today. Some which appeared in this atlas for the first time, but are not officially recognized today, include the Cat, the Printing Press, the Montgolfier Balloon, and the Electric Generator.
Bode also included 2,500 cloudy patches, or “nebula,” cataloged by William Herschel.
Bode included two planisphere plates. They are not southern and northern hemispheres; each one has Polaris at the top and the south pole at the bottom. Each one is centered upon an equinox point (where the ecliptic or path of the Sun and the celestial equator intersect). The March equinox point was in Aries in antiquity; by Bode’s time, due to the precession of the equinoxes, it had shifted to Pisces. The September equinox point was in Libra in antiquity; by Bode’s time it had shifted to Virgo. Bode titled the plates as the Aries and Libra planispheres.
The Aries planisphere, centered on the March equinox in Pisces, includes these constellations, among others, which appear high overhead in the night skies of autumn:
Equatorial: Orion, Taurus, Harpa Georgii, Cetus, Aries, Pisces, Pegasus, Aquarius, Aquila, Scutum.
Northern: Auriga, Perseus, Andromeda, Cassiopeia, Draco, Honores Frederici, Cepheus, Cygnus, Lyra.
Southern: Eridanus, Apparatus Chemicus, Machina Electrica, Apparatus Sculptoris, Horologium, Toucan, Phoenix, Grus, Indus, Pavo, Tubus Astronomicus, Octans Nautica, Microscopium, Sagittarius, Globus Aerostatic.
In March, the Aries-Pisces equinox (the center of the Aries planisphere) is traveling with the Sun, rising in the east in the mornings and setting in the west in the evenings. Imagine the center of the planisphere has the Sun pinned to it for that day, and that’s how it would move across the sky. Therefore the constellations near the center of this planisphere are invisible in the daytime sky at that time unless there is a solar eclipse. They would be visible directly opposite the Sun at the September equinox.
The Libra planisphere, centered on the September equinox in Virgo, includes these constellations, among others, which appear high overhead in the night skies of spring:
Equatorial: Ophiuchus, Serpens, Libra, Virgo, Crater, Corvis, Hydra, Sextans, Leo, Cancer, Monoceros.
Northern: Hercules, Quadrans Muralis, Bootes, Canes Venatici, Ursa Major, Telescopium Herschelii, Gemini, Lynx, Ursa Minor.
Southern: Scorpius, Tubus Astronomicus, Lupus, Centaurus, Apis, Chameleon, Crux, Argo Navis, Robur Caroli II, Circinus (sector compass), Canis Major, Pixis Nautica (magnetic compass), Machina Pneumatica (air pump), Officina Typographica (printing press).
In September, the Libra-Virgo equinox (the center of the Libra plate) is traveling with the Sun, rising in the east in the morning and setting in the west in the evening. Imagine the center of the planisphere has the Sun pinned to it for that day, and that’s how it would move across the sky. Therefore the constellations near the center of this planisphere are invisible in the daytime sky at that time unless there is a solar eclipse. They would be visible directly opposite the Sun at the March equinox.
Earlier, in 1782, Bode published a small-format atlas based on a Paris edition of Flamsteed (both of these volumes are on display at the National Weather Center).
The four great celestial atlases of Bayer, Hevelius, Flamsteed and Bode were each distinctive in their artistic style as well in their scientific importance. After Bode, this fusion of art and science in celestial atlases ceased, as scientific atlases no longer could print plates large enough to accommodate full-size, artistic depictions of constellation figures.